The Childhood of Jesus appears to fit into that category of novels where a man arrives in a strange land and struggles to make himself understood. The lack of understanding may be literal and linguistic (Ferenc Karinthy’s Metropole) or emotional and allusive (Kazuo Ishiguro’s The Unconsoled). Such a premise gives an author opportunities to highlight the human condition unshadowed by familiar geographical settings which might distract the reader: the great risk in setting a story in a known location is that it will seem to be about that location. Better to create a new one. The balancing risk in doing so is that the reader will spend most of the book trying to work out what and where the author is really talking about.
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